Summer of Love
Summer of Love
Foreword:
The
story is set in Memphis, USA, during the summer of 2019.
Background:
In
Taiwan, a Hong Kong girl named Pan Xiaoying was killed by a Hong Kong youth
named Chen Tongjia, who then fled back to Hong Kong. Due to the absence of an
extradition agreement between Hong Kong and Taiwan, Chen Tongjia couldn't be
extradited to Taiwan for trial. As a result, under the influence of the CCP,
the Hong Kong government amended the "Fugitive Offenders Ordinance"
with the intention of sending dissidents and anti-communists in Hong Kong, as
well as those temporarily staying there, to CCP prisons. This sparked the
"Anti-Extradition" protest movement in Hong Kong, which lasted for
six months and was met with violent suppression that shocked the world.
This
story is closely intertwined with the "Anti-Extradition" movement.
Synopsis:
Peng
Su, the writer, teaches Chinese writing to children at a school in Memphis,
USA, and is colleagues with Ben and Luo Wen. Teresa, a beautiful music teacher
from Hong Kong, enters the scene, and both Ben and Luo Wen try to win her over
using their respective abilities. However, their shared interests in literature
and music, as well as their close alignment in character traits, particularly
their love for Hong Kong and their shared support for the
"Anti-Extradition" protest movement, elevated Peng Su and Teresa's
mutual appreciation to the ignition of a beautiful love affair.
With
exquisite prose and meticulous attention to detail, the novel depicts the
entire journey of Peng Su and Teresa, from their initial encounter, through
mutual admiration, to the culmination of their passionate love. It vividly
portrays their distinct personalities and their ideals and emotions rooted in
their support for the progress of the "Anti-Extradition" protest
movement in Hong Kong. Furthermore, the novel highlights the despicable nature
of the character "Bian" and his accompanying dark and narrow-minded
jealousy, which persistently entangles them like a shadow, giving rise to
captivating plot twists. Conversely, Luo Wen presents a contrasting character,
attempt employing his financial charm to win Teresa's favor.
Feature:
The
novel not only describes the unique cultural landscape of Memphis but also
explores the lives of the Chinese community residing there. It portrays the
distinctive image of "Bian," reminiscent of the new Ah Q archetype,
which contrasts with the noble beauty of Teresa, a woman from Hong Kong.
Shandi, a Taiwanese woman, serves as the second heroine in the novel. She is
well aware of the infiltration of Communist bandits into the upper echelons of
the KMT and endeavors to protect Taiwan's democratic system through her modest
efforts, supported and collaborated with by Peng Su. Shandi secretly carries a
deep affection for Peng Su, and these plotlines seamlessly intertwine within
the novel.
Regarding
the novel's ending, during the second "Support Hong Kong"
demonstration in Memphis, both Peng Su and Teresa participate. The Chinese
Consulate in the United States orchestrates and directs the "Patriotic
Chinese Association" to attack and assault the demonstrators. In the midst
of chaos, Bian, filled with hatred, forcefully throws a stick at Teresa, and
the outcome is...
Through
this novel, the author pays homage to the courageous and resilient people of
Hong Kong who actively participated in the "Anti-Extradition" protest
movement!
1.
When I bought
a bamboo flute in an underground shopping mall in Flushing, I had no idea that
the fate of my future life was waiting for me, just like the enchanting and
beautiful melody of the flute guiding me towards a brilliant vision. That place
was Memphis, where Teresa was, and there...
I came to the
United States out of necessity, as a fugitive writer, proud to be hated by the
Communist Party. New York became my refuge, the most bustling metropolis in the
world, but its dazzling neon lights and extravagance were not envious flowers
laid out for me. Yes, I had to go to every corner of Flushing, Queens, find a
job and survive.
My first job
was working in a restaurant as a general helper for a year, followed by six
months as a painter's assistant. The monotonous and boring work drove me to
obtain a nursing license, leading to my third job as a nurse. After taking care
of several elderly Chinese individuals, I saw an advertisement in the newspaper
for a caregiver who needed to speak English and have physical strength because
that person needed to be carried to bed.
She was a
beautiful 22-year-old Spanish woman with a congenital genetic disease. Her legs
had become weak at the age of 17, and by the time she turned 20, she needed a
wheelchair. Oh, how pitiful. I took care of her attentively and tenderly, like
an older brother to a younger sister.
Gradually,
she began looking at me with eyes like a younger sister looks at her older
brother. Later, that look changed, taking on the gaze of Venus. When I carried
her to bed for sleep, she would curl up, holding onto my neck, and her gaze
turned into that of a lover's. Originally, my job was only to push her
wheelchair to the bedside, lift her onto the bed, and help stretch and massage
her leg muscles before she slept. With a weight of around 110 pounds, it was an
easy task to carry her to bed. Gradually, she stared at me more frequently and
for longer periods.
One day, as
she was watching TV in the living room, I told her it was time to go to sleep.
She spoke softly, saying, "I want you to carry me into the bedroom from
here." Well, for me, it's just a little more work, and it doesn't matter.
Consequently, carrying her from the living room to the bedroom became a regular
occurrence. Once when we returned from shopping, as soon as I opened the door,
she said, "I want you to carry me inside." Later, her imagination
took flight, and she wanted to be carried at the elevator door and across the
long corridor. The most creative instance was when she said, with a coquettish
tone, "I wanted" before we even entered the elevator upon returning
from outside. Thankfully, we were only on the second floor. Oh, she held me
tightly, her face gleaming with a proud, mischievous, and intoxicated
brightness. Sometimes I wondered, would I still do the same if we were on the
fifth floor? Well, I should take the opportunity to exercise a bit. Just a few
stops along the way. It was such a pity that such a young girl had to suffer from
such a disease. Yes, you were like a little sister to me.
The little
sister started to dress up, no longer needing to draw her beautiful black
eyebrows and eyes. She applied lipstick and nail polish, and she styled her
previously casually draped shiny black hair, combing it back and arranging
three coiled buns at the back of her head, which the Cantonese call a
"ji," resembling three shiny black roses. I didn't know how she
managed to do it. She extended her nails to
show me, saying, "Is it beautiful?" I replied, "You can create
various designs." And she asked me to teach her. So, I held her hand and
drew a template, teaching her how to paint and color. She always gazed at me
with electrifying eyes and asked, "Am I pretty?" I sincerely said,
"Yes, you are so beautiful."
I was
responsible for taking care of her from 7 p.m. to 7 a.m. On Thanksgiving Day
that year, she sat in her wheelchair and had the caregiver who worked from 7
a.m. to 7 p. m to push her to go and buy a gift. Then they came to my rented
place with the gift. She personally
handed me the gift, then pointed to her face and leaned forward, asking me to
kiss her. As I leaned down, she embraced me tightly and kissed me deep and
passionately, leaving the caregiver slightly startled.
But I was too
vulgar and materialistic, only earning fifteen dollars per hour. If we had been
in love before, deeply in love as a devoted couple, and then she unfortunately
fell ill, this love would have endured through difficult times with me by her
side...
When I leave
New York, I want to buy a bamboo flute. One day in early spring 2019, while
cleaning and moving things, I accidentally bumped and cracked my bamboo flute.
It was heartbreaking, and for several days, I couldn't bear to throw it away,
still clinging to the illusion that it could be played. The material of that
bamboo flute is purple bamboo and it's a single section. It's extremely
difficult to find a single-section bamboo flute in G key that produces such
round, beautiful, and bright tones with a wide range. Oh, my bamboo flute, my
beloved, you've been with me since I was seventeen. I don't know how many
levels there are in the bamboo flute exam, but I can effortlessly master all
the techniques and play vibrato like a violin. When I fled from the mainland to
the United States in 2013, the first thing that came to mind was to bring this
bamboo flute with me.
In an
underground shopping mall in Flushing, there's a musical instrument store that
specializes in selling Chinese ethnic instruments, so I decided to take a look.
Fortunately, they had bamboo flutes for sale. I carefully selected and tried
playing them, as a good flute can uplift my spirits. I purchased a bamboo flute
in G key, even though it wasn't a single section, the sound quality is still
acceptable. It was February 12th that day. As I stepped out of the underground
shopping mall, Uncle Zhang from the street shop, who knew me well, handed me a
copy of The Epoch Times, saying there was exciting news. I want to express my
gratitude to The Epoch Times for upholding the principles of news reporting. He
fetched a stool and asked me to sit down and watch. It turned out that on the
previous day, which was the 12th in Hong Kong, the Hong Kong Security Bureau
proposed amending the law to allow Hong Kong and places without established
long-term arrangements for fugitive surrender to submit requests for the
surrender of fugitives on a case-by-case basis. This sparked intense public
discussion.
"I like
Flushing because of friends like Zhang Shu, and of course, Yafang. But I don't
like Flushing because it's filled with a bunch of 'patriotic' Chinese,
especially those from Fujian. Their eyes are filled with arrogance and
self-satisfaction. Despite their various misfortunes in mainland China, they
have tried every means to run away to the United States, yet they constantly
proclaim, 'Our motherland is powerful, oh, I am so proud!' You might as well
take a look at those Chinese WeChat groups, where they happily disregard their
own interests and consciously defend the 'interests of the motherland,'
shouting loudly, 'Those who offend China from afar will be punished!' They take
pride in the red descendants of the Chinese Communist Party. Their chests
always beat with the red heart of Ah Q. Moreover, they eagerly scramble for the
red envelopes distributed by the Chinese Consulate, following the instructions
of the Consulate, and aggressively attack the propaganda activities exposing
the crimes of the Communist Party against Falun Gong. They create a 'sea of red
flags' in Flushing to welcome visiting Chinese Communist officials, eagerly
proclaiming their identification with and admiration for the brutal rule of the
authoritarian regime over the Chinese people!
“I couldn't help but think
of Mr. Lu Xun's "The True Story of Ah Q" when he described Ah Q. He
bowed and served at Mr. Zhao's house but always fantasized about having the
surname Zhao himself, intentionally or unintentionally telling everyone that he
was also a Zhao. Mr. Zhao immediately rebuked him, 'Are you surnamed Zhao? Are
you worthy of having the surname Zhao!' and then slapped him loudly. I believe
that Mr. Lu Xun overlooked some important details about Ah Q: in fact, Ah Q
fantasized about sitting at the same table with Mr. Zhao, sharing a sumptuous
feast, or standing nearby to get a share of the meat in a pot, or at least
imagining receiving a red envelope distributed by Mr. Zhao. And Ah Q took pride
in the grand feasts arranged by Mr. Zhao, delighted in the happiness of Mr.
Zhao's bedchamber, and happily sang praises to the second generation of the Zhao
family... When he saw the Zhao family stealing the property of the
"hawk-nosed man" in the neighboring village and being beaten
violently by the "hawk-nosed man." Ah Q was indignant, rolled up his
sleeves, and slapped his chest as if wanting to rush forward with a stick and
fight with the "hawk-nosed man."
(Hawk-nosed men: this is a joking term for "America")
I would love
to write a novel that will write patriotic red cores as the new Ah Q... In
fact, I only wrote the novella "Sex Workers in Flushing," which
reflects the hardships of Chinese women in New York, so many tribulations so
let they forgot to put on beautiful makeup for the Chinese Zhao masters.
Oh, I
shouldn't have unintentionally turned my novel into an essay. It's all because
of my deep admiration and love for Mr. Lu Xun. In the past, I learned from Mr.
Lu Xun and used different narrative styles in my novels. The narrative language
in 'The True Story of Ah Q' is distinct from 'The Sorrow of Departure.' In the
early 1980s, there was a trend of 'modern literature' in the Chinese literary
circle, and at that time, Mr. Gao Xingjian seemed to be a leading figure, full
of energy and innovation! However, if you examine 'The Sorrow of Departure,'
you will surely agree with my viewpoint: the originator of modern literature in
China is Mr. Lu Xun. The subsequent followers include Mr. Bai Xianyong from
Taiwan...
Alright,
let's go back to the most important period of my life—
In the spring
of 2019, as I drove away from Flushing, New York, the streets were piled with
thick, ugly accumulations of snow, mingled with reckless gray or emanating
dense black shadows. The roadside trees stood bare, revealing numerous delicate
branches reaching towards the sky, like slender little hands pleading for warm
sunlight. However, the sky displayed its resolute, hazy, icy countenance, much
like the emblem of ruling regimes in all evil nations. It was March 30th, while
in Hong Kong, it was March 31st, the day when the Hong Kong Civil Human Rights
Front initiated the demonstration march against the "Extradition
Bill." I turned up the sound system and played Beyond's "Boundless
Oceans, Vast Skies," and I roared and sang along, "Still being free
and true to myself, singing my song loudly! Forgive me for living a rebellious
life of freedom, even if I may stumble one day. Abandoning ideals, anyone can
do it, but who would fear a day when it's only you and me..." Oh, I made a
slight alteration to the line "even if I may stumble one day"... My
apologies, Beyond...
The great
Wong Ka Kui! The singer I admire! And Jiang Feng, with his song "In the
Spring," singing of the sorrow of modern Chinese farmers: "If one
day, I have nowhere to rely on in my old age, bury me in this spring..."
And of course, we cannot forget Cui Jian, the pioneer of Chinese rock music:
Chinese farmers still "have nothing at all" to this day!
The car drove
westward, and the trees on the roadside gradually changed. They started with a
hint of green, and then more and more green shadows could be seen. The next
day, the car entered Tennessee, and along the highway, the branches of the
trees were filled with emerald green. From a distance, it appeared as layers of
green veils drifting towards the distant mountain ridge, finally merging into
the radiant white clouds. I was in a good mood, so I turned off the sound
system and sang a popular song I wrote for the migrant workers: "Clouds
float in the sky, drifting to the hills of my hometown. There's tea trees on
the hill, and my sister waters it every day. In a distant land, I entrust the
clouds to the hill. I shield you from the sun in summer and protect you from
the wind and frost in winter. The tea tree on the hill blooms and falls, but
one day I will return to your side, lying together on the hill, counting clouds
during the day and watching the moon at night."
I once wrote
a series of eight songs for the migrant workers, including "When the Sun
Rises," "I Went to the City to Work," "There's a Clear
Spring in the Mountains," and so on. Oh, the tragic Chinese migrant
workers, struggling at the bottom of society, enduring discrimination and
mistreatment, labeled as "low-end population" and expelled from the
cities... May the warmth of my sister console your cold heart, may her love
always accompany you, counting clouds during the day and watching the moon at
night...
The car
entered the highway in Memphis at nine o'clock in the evening. The protest
organized by the Hong Kong Civil Rights Front had already ended. According to
online media reports, nearly twenty thousand people participated. I looked up
at the clear night sky with a beautiful and radiant crescent moon, smiling down
at me. Instantly, my mood became very good, and I began to sing softly,
"Moon, gliding through the white lotus clouds, the evening breeze brings
the distant and melodious sound of a qin..."
Yafang called
me on the phone, "Have you arrived in Memphis?"
Leaving
Flushing, New York, and heading to Memphis, Yafang was quite distraught and
restless because it meant that we would become friends separated by long
distance, no longer intimate companions or lovers who spent every moment
together.
Meeting
Yafang was destiny, my good fortune, a connection for which I am grateful.
After leaving my job taking care of the little Spanish girl, I found work as a
foot masseur at a Chinese massage parlor. Yafang was the owner of a hair salon
near the massage parlor, and she had only one employee. One day, when she came
to the massage parlor and saw me, her eyes showed a peculiar look. While giving
her a foot massage, she initiated a conversation with me, and she became a
frequent visitor. During our conversations, I mentioned my greatest desire: to
have enough funds to produce a twenty-episode indoor TV drama of my own. In
reality, I wasn't seeking help from others; it was simply my own wish: if only
I had the funds!
In my life,
even during the most difficult times, I never asked friends for money. I take
after my parents in that aspect! However, she asked how much funding I needed.
I said $150,000. I could tell what she meant; if it were around $40,000 or
$50,000, she would invest. Even if I already had $100,000, I wouldn't use her
money because there was no guarantee of making it back. After this, our
relationship grew closer.
One time, I
finished work late at night, around nine o'clock, and she came by, saying that
the light bulb in her home had burnt out. She asked if I could help her replace
it. At her rented place, I stood on the bed to unscrew the light bulb. When I
was about to get off the bed with the light bulb in my hand, I saw her sitting
on the edge of the bed, her outer garment removed, the neckline of her black
bra loosely open, revealing a clear view of her well-shaped snow-white peaks.
She blinked her eyes non-stop, gazing at me, fanning herself with a magazine. I
sensed that it wasn't due to the heat but rather a way to conceal the seduction
she was emitting. After I finished changing the light bulb and was about to
leave, she said, "Let me make you a bowl of egg and milk." With some
hesitation, I still chose to leave.
Perhaps she
sensed a hint of temptation in my expression. The next morning, I returned to
the shop early in the morning. After cleaning up, I sat on the sofa and read
the news on my phone. When she came in, she sat directly beside me, leaning in
close to look at my phone screen, her hand resting on my shoulder, her chest
pressing against my arm, bouncing slightly. Her face was against mine, warm. I
knew this was her clear message. I looked at her, and she stared back at me
without any reservations. Unable to resist, I kissed her, and she responded
passionately. She was twenty-seven years old, beautiful in appearance, proudly
standing tall with a long black braid reaching down to her waist. She often
glared and scolded those teasing her, whether they were Taishan men or Northern
Han people. But in front of me, she couldn't maintain her arrogance because I
was even more proud. During my time filming TV dramas on the mainland, I
encountered many beautiful actresses. I may lack wealth but I will never be
humble. I will never try to please a woman based solely on her appearance
unless we already have a connection and are in a relationship.
After this
incident, not long after, she and I rented a house together. We didn't discuss
literature or current affairs; she only shared interesting life stories and
some gossip news, discussing the right and wrong of friends and acquaintances.
We would also go crab hunting at the seaside, running around and laughing
loudly, or when I focused on fishing, she would be by my side watching videos
on her phone. I didn't find it boring at all; in fact, I was enthusiastic
because it represented the ordinary way of life, the basic material for
literary creation. Of course, she never asked or read the novels I wrote. I
also enjoyed being with her because she was sexy and beautiful, and because we
had a harmonious and frequent sexual relationship. She was proud to be with me,
and she would proudly hold my arm and tell her friends, 'The proud and handsome
director Peng is my man!' Coming to Memphis from New York was also a painful
struggle for me. Will I be able to meet someone with her qualities again? I
don't know. But what I do know is that I love writing more. I have a sense of
mission: I must write numerous novels, modern poems, and film scripts about the
various sufferings and inhuman torture endured by the Chinese people under the
brutal rule of the CCP. I need more time, and the job in Memphis is perfect for
me. Besides, I am very confident that as long as there is a Chinese church in
Memphis, and there are women in the church, I will be able to find a sexual
partner. Since I was sixteen, I have known that I attract the attention of
beautiful girls...
Yafang was
disappointed, but she didn't try to hold on too much. She did consider going to
Memphis with me, opening a new hair salon there, but who knows how the business
would go? Moreover, there aren't many Chinese people there, and all her friends
are in Flushing... In the United States, it's hard to find a Chinatown like New
York, San Francisco, or Los Angeles, where Chinese people gather densely. My
departure, in her view, was just a temporary discomfort. Her psychological
state should be the same as mine: she could easily find a new sexual partner in
Flushing.
2.
Around ten
o'clock, I arrived in front of a two-story detached house where Luo Wen, the
principal of Memphis Li Bai Chinese School, was already waiting for me. Ten
days ago, we had spoken on the phone. He was looking to hire a Chinese writing
teacher who could speak English. To apply, I simply told him about the TV drama
series I had written and where it was broadcasted, asking him to watch it
online. That's how I became the Chinese writing teacher he hired. The salary
was less than what I earned as a foot masseur, and there were no winter or
summer breaks. However, the workload was not heavy, and I had two days off each
week. Oh, it was the job I had hoped for.
As I parked
my car, in the darkness, I saw a tall foreigner in his forties coming out of
the detached house. I thought he was a guest of Luo Wen's leaving the house. I
was a bit puzzled, wondering why Principal Luo didn't see the guest off at the
door... Little did I know, the foreigner approached me, smiled, and spoke to me
in Cantonese, saying that he was Principal Luo.
"Are
you Peng Su?"
I confirmed
that I was.
"You
said to me you were over forty, but you look like a handsome guy in his
thirties. I thought I got the wrong person. Although you are a bit older than
me, you look much younger. Welcome to Memphis, the hometown of the King of Rock
'n' Roll!" He reached out his hand and warmly shook mine. I was very
surprised because Principal Luo spoke Cantonese so fluently and with such a
genuine Hong Kong accent.
"How
did you know I can speak Cantonese?" I asked.
He laughed,
"People who speak Cantonese tend to have a Cantonese accent when speaking
English. I could tell you were from Guangdong."
You're
impressive.
"After
I graduated from university, I worked in Hong Kong for fifteen years. Fifteen
years! In Hong Kong, I learned Cantonese, I learned Chinese, and I became half a
Hong Konger. I really like the Hong Kong singer Roman Tam, so I took a Chinese
name: Luo Wen."
I said,
"In the United States, I rarely meet Gui Lao who can speak
Cantonese!"
He burst
into laughter, "When I heard you call me 'Gui Lao,' oh, it felt so familiar
and very friendly, as if I were back in Hong Kong. I really miss Hong Kong! Oh,
so beautiful city! So much delicious food. Oh, I'm overwhelmed! If it weren't
for my nagging wife insisting on bringing our daughters back to the United
States, I wouldn't have left Hong Kong." He had a nostalgic look on his
face and asked me, "Peng Sheng, where in Guangdong are you from?"
In Hong
Kong, it is common to use the term "Sheng" as a term of respect for
men, regardless of whether they are bosses or ordinary people. It is usually
added after the surname, like Chen Sheng or Wu Sheng, omitting the
"Mr." or "Mister." I answered that I was from Guangzhou.
Then I asked if he knew that there were tens of thousands of people marching in
Hong Kong today. He told me he didn't know, and he curiously asked, "Tens
of thousands of people, not a lot but not few either. What's going on?" It
seemed like he asked casually rather than being eager to know the reason. I
made a brief response and took my luggage into the detached house with him.
Upon
entering, there was a hallway leading to the living room. On the right side of
the entrance was a staircase leading to the second floor, and on the left side
was the kitchen. A man who appeared to be in his forties, a Chinese man, was
smoking and cooking in the kitchen. When he heard the sound of the door
opening, he turned his head and looked at me entering. I politely nodded to
him, but he didn't react in any way. He was slightly taller than me, around 1.8
meters, and quite robust, although he had a slight hunch. His appearance was
also somewhat stylish, resembling a character from a movie, perhaps a villain,
but not the main character, more like a minor role.
"Biàn,
he is Peng Su, a native of Guangzhou and the new Chinese language teacher at
the school," Luo Wen said in Mandarin. Then he said to me, "Biàn is
from the northern region, his hometown is Shenyang."
I greeted
"Biàn" again politely, saying, "Nice to meet you!" However,
he just turned his head back and focused on cooking his food, while flicking
his cigarette butt onto the floor.
Luo Wen
made a facial expression to me, indicating that this northern guy was strange
and advised me not to mind him.
Of course,
I didn't pay him any attention. I had seen plenty of people like him in
Flushing! They looked almost identical to those "patriots." I
switched to speaking Cantonese with Principal Luo, diverting the conversation.
"Luo Sheng, you're amazing! You can speak Mandarin too." He mentioned
that when he left Hong Kong in 2015, many Hong Kong people could speak some
Mandarin, so naturally, he had also learned some.
The kitchen
is spacious, with a standing row of cabinets, a dishwasher, a sink, a stove,
and a large refrigerator. Above them are the upper cabinets. From the kitchen,
you can have a full view of the large living room, which has a sofa set with a
coffee table and several chairs. A 1.5-meter-high wall separates the kitchen
and the living room, but there is an opening for passage between them. Due to
the sufficient space in the kitchen, there is a square glass dining table
surrounded by four chairs.
Luo Wen led
me from the kitchen into the living room. I saw two doors, one large and one
small. Luo Wen stopped and pointed to the larger door near the living room,
saying there was a room inside. He opened the door and let me take a look. The
room was furnished with basic furniture and was about 13 square meters in size.
Luo Wen mentioned that it was for temporary guests. I walked out and Luo Wen
pointed to the smaller door near the kitchen, so I took a quick look inside: it
was a bathroom, but there was no bathtub. The bathroom was actually located
under the stairs. After that, I followed him upstairs.
On the
second floor, there were two rooms, both with their doors open. The first room
I saw was around 16 square meters, with basic furniture scattered and a visibly
dirty carpet. The window of this room faced the street, and the outside
streetlights illuminated the room.
"Lāo
Tóu Biàn" lives in this room. Luo Wen said he doesn't care about
cleanliness and keeps things messy. When I heard that, I couldn't help but
smile. Cantonese people like to give nicknames to others, and "Lāo
Tóu" is a derogatory term Guangzhou people use for call northerners, which
has also been adopted by Hong Kongers.
Luo Wen and
I entered the room across from "Lāo Tóu Biàn's" room, which was also
furnished with basic furniture. It was around 25 square meters in total, with a
spacious bathroom and a clothes storage area. The window faced the backyard.
"The
layout of this room is the same as 'Biàn's,' just slightly larger. Are you satisfied?"
Luo Wen asked.
I was
extremely satisfied, but I didn't show it on my face.
The
accommodation here is definitely more comfortable than in New York, right?
I nodded.
"The
rent is $250 per month, which is not expensive, right? You will share the utility
bill with 'Biàn'," he explained.
I was
delighted in my heart but didn't show it, and I replied, "Of course."
I couldn't help but think back to when I and Yafang shared a basement in
Flushing, New York, where the living space, kitchen, and bathroom were combined
in around 25 square meters. It cost $1,000 back in 2015. If it were rented in
2019, it would be around $1,300. Oh, my God! According to U.S. law, basements
are not allowed to be used as living spaces, but the majority of Chinese
homeowners illegally convert and rent them out to Chinese people. Well, if you
dare to break the law, congratulations! If you're unlucky, a government agency
can issue an order to restore the original design of the property!
However, I
still have to thank those homeowners because, in fact, they provide affordable
housing for Chinese people. Oh, this is the ugliness of human nature...
Luo Wen
said that there are no basement rentals in Memphis because there is an abundant
supply of vacant houses, and the rental prices are naturally affordable.
"You
just arrived, so take a rest tomorrow. It's already late, I'll help you move
your luggage in," he offered.
"No
need, I don't have much luggage. You can go home. Thank you," I declined.
Luo Wen
left, and I walked up to the window and looked outside. Below was a spacious
yard with two tall, unidentified trees. The young leaves of the trees sparkled
in the moonlight. Oh, this is a great place for exercise. I was in a very good
mood and started whistling. Oh, I whistle quite well, close to the level of
playing the flute. I could easily record a half-hour "Whistle
Performance" and put it online.
Yafang
called: "Have you settled in?"
Yes.
"How
many Chinese people are there in Memphis?" she asked.
I said,
"Nowhere near as many as in Flushing, New York."
I can
understand what she means: if there are more Chinese people here, you will soon
meet new women... After that, we fell silent and made kissing sounds "tsk
tsk" to each other on the phone, but our feeling is that this page has
turned, and it's difficult to continue writing.
To be continued…
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